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'''राफेल सान्जियो,''', usually knownसाधारण byरुपय् hisथःगु firstन्हापांगु name aloneनां (in Italianइतालियानो ''Raffaelloराफेलो)'') या नामं नांजाम्ह, <ref>Variants include "Raffaello Santi", "Raffaello da Urbino" or "Rafael Sanzio da Urbino". The surname ''Sanzio'' derives from the [[latinization]] of the Italian, ''Santi'' , into ''Santius'' . He normally signed documents as "Raphael Urbinas" - a latinized form. Gould:207</ref> ([[Aprilअप्रिल ६|(6 अप्रिल]] orवा [[March28 28]]मार्च, [[1483]] –अप्रिल ६|[[April 1483-6]] अप्रिल,]] [[सन् १५२०|1520)]]) <ref>Jones and Penny:1 and 246. He died on his 37th birthday, and was both born and died on [[Good Friday]], according to different sources. The matter has been much discussed, as both cannot be true</ref> उच्च wasपुनर्जागरणया anकिपाया [[Italy|Italian]]अनुग्रहता [[Painting|painter]] andपूर्णताया [[architect]]निंतिं ofनांजाम्ह theछम्ह [[High Renaissanceइटाली|इटालियन]], celebratedचित्रकार for the perfection and grace of his paintings and drawings.वास्तुकार ख। Together with [[Michelangeloमाइकेलएञ्जेलो|माइकल एंजेलो]] and [[Leonardoलियोनार्दो daदा Vinci]]विंचीनापं heवय्कः forms theईया traditionalपारंपरिक trinityत्रिमूर्ति ofगुरुय् greatछम्ह mastersख। of that period.<ref>See, for example,Hugh Honour and John Fleming, A World History of Art, 1982, Macmillan, London, p. 357 </ref>
 
राफेल सिक्क हे लगनशील मनु ख व स्विन्हे दँया अल्पायुइ मदसां वय्कःया यक्व ज्या, विशेष रूपं भेटिकनय् ल्यँनि। वय्कः थःगु जीवनकालय् सिक्क प्रभावशाली जुयादिल, तर वय्कः मदये धुंका वय्कःया महान प्रतिद्वंद्वी माइकल एंजेलोया प्रभाव 18गु व 19गु सदी तक्क अप्व नांजाल, लिपा वय्कःया शान्त व सामंजस्यपूर्ण गुण हानं उच्चतम कोटीया रुपय् नालेगु यानाहल।
Raphael was enormously productive and, despite his early death at thirty-seven, a large body of his work remains, especially in the [[Apostolic Palace|Vatican]]. He was extremely influential in his lifetime, but after his death the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when his more serene and harmonious qualities were again regarded as the highest models.
 
वय्कःया ज्या स्वंगु चरण व स्वंगु शैलीइ स्वाभाविक कथं पा, दकले न्हापा जियोर्जियो Vasari द्वारा वर्णित: Umbriaया प्रारंभिक ई , लिपा फ्लोरेन्सया कलात्मक परम्परात नालाकाःगु प्यदँया छ्गु खण्ड(1504-1508) व दकले लिपाया रोमय् पोप व वय्कःया नापंया सहयोगीतयेगु ज्याय् व्यस्त व विजयी झिंनिदँ।<ref>Vasari:208, 230 and passim</ref>
His career falls naturally into three phases and three styles, first described by [[Giorgio Vasari]]: his early years in [[Umbria]], then a period of about four years (from 1504-1508) absorbing the artistic traditions of [[Florence]], followed by his last hectic and triumphant twelve years in [[Rome]], working for two Popes and their close associates.<ref>Vasari:208, 230 and passim</ref>
 
== स्वयादिसँ ==
== See also ==
* राफेलया ज्यातयेगु धलः
* [[List of works by Raphael]]
* पुनर्जागरण कालया किपा
* [[Renaissance painting]]
* इतालियन पुनर्जागरण
* [[Italian Renaissance]]
 
== Notesनोट ==
[[किपा:Pantheon-raphaels-tomb.jpg|thumb|Raphaelप्यानथियनय् andरफएल Maria Bibbiena'sमारिया tombBibbienaया inचिहान the [[Pantheon, Rome|Pantheon]]. The Madonna is by [[Lorenzetto]].]]
{{reflist|2}}
 
== Mainमू referencesलिधंसा ==
* [[Anthony Blunt|Blunt, Anthony]], ''Artistic Theory in Italy, 1450-1660'' , 1940 (refs to 1985 edn), [[OUP]], ISBN 0-19-881050-4
* [[Cecil Gould|Gould, Cecil]], ''The Sixteenth Century Italian Schools'' , National Gallery Catalogues, London 1975, ISBN 0-947645-22-5
* Roger Jones and [[Nicholas Penny]], ''Raphael'' , Yale, 1983, ISBN 0-300-03061-4
* Landau, David in:David Landau &amp; Peter Parshall, ''The Renaissance Print'' , Yale, 1996, ISBN 0-300-06883-2
* Pon, Lisa, ''Raphael, Dürer, and Marcantonio Raimondi, Copying and the Italian Renaissance Print'' , 2004, Yale UP, ISBN 978-0-300-09680-4
* [[Giorgio Vasari|Vasari]], selected &amp; ed Malcolm Bull, ''Artists of the Renaissance'' , Penguin 1965 (page nos from BCA edn, 1979)
* [[Heinrich Wölfflin|Wölfflin, Heinrich]]; ''Classic Art; An Introduction to the Renaissance'' , 1952 in English (1968 edition), Phaidon, New York.
 
== अझ ब्वनादिसं ==
== Further reading ==
Theआया standardजीवनीक sourceसूचंया ofमानक biographical information is nowस्रोत: Vभि. Golzio,या ''Raffaello nei documenti nelle testimonianze dei contemporanei e nella letturatura del suosue secolo,'', Vatican Cityभेटिकन andसिटी Westmeadव वेस्तामिद,सन् 1971'''' ख।
 
== पिनेया स्वापू ==
== External links ==
{{commonscat|Raffaello Sanzio}}
* [http://www.vam.ac.uk/collections/paintings/raphael/cartoons/index.html V&amp;A London online feature on the Raphael Cartoons]
* [http://www.royalcollection.org.uk/eGallery/searchResults.asp?searchText=&amp;title=&amp;makerName=Raphael&amp;category=&amp;collector=&amp;theme=&amp;startYear=&amp;endYear=&amp;rccode= Ten drawings and three paintings from the Royal Collection]
* [http://www.wga.hu/frames-e.html?/html/r/raphael/ Web Gallery of Art]
* [http://search.famsf.org:8080/search.shtml?keywords=raphael&amp;artist=raimondi&amp;country=&amp;period=&amp;sort=&amp;submit.x=20&amp;submit.y=7 Most of the Raphael/Raimondi prints from the San Francisco Museums]
* [http://smarthistory.org/blog/67/raphael-alba-madonna-c-1510-national-gallery-washington-dc/ smARThistory: Raphael's ''Alba Madonna'' ]
 
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