अल्ब्रेच्त् डेरर: Difference between revisions

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''''''अल्ब्रेश्ट ड्युएरेर''' [[डोइच भाषा]]: Albrecht Dürer''' (ˈalbʀɛçt ˈdyʀɐ) ([[मे २१]], [[१४७१]] – [[अप्रिल ६]], [[१५२८]])<ref name=Mueller>Mueller, Peter O. (1993) ''Substantiv-Derivation in Den Schriften Albrecht Durers'', Walter de Gruyter. ISBN 3-11-012815-2.</ref> छम्ह [[नुरेम्बर्ग]]या [[जर्मन]] [[चित्रकला|चित्रकलामि]], [[प्रिन्टमेकर]] व [[थियोरिस्ट]] ख। His still-famous works include the ''[[Apocalypse (Albrecht Dürer)|Apocalypse]]'' woodcuts, ''[[commons:Image:Duerer - Ritter, Tod und Teufel (Der Reuther).jpg|Knight, Death, and the Devil]]'' (1513), ''[[St. Jerome in His Study (Dürer)|Saint Jerome in his Study]]'' (1514) and ''[[Melencolia I]]'' (1514), which has been the subject of extensive analysis and interpretation. His [[watercolours]] mark him as one of the first European [[landscape art]]ists, while his ambitious [[woodcuts]] revolutionized the potential of that medium. Dürer's introduction of [[Roman mythology|classical motifs]] into Northern art, through his knowledge of [[Italian Renaissance|Italian artists]] and [[Humanism in Germany|German humanists]], have secured his reputation as one of the most important figures of the [[Northern Renaissance]]. This is reinforced by his theoretical treatise which involve principles of [[mathematics]], [[linear perspective|perspective]] and [[body proportions|ideal proportions]].
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
== See also ==